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Exhibitions


In this section, you will find
¤ 244 descriptions and
¤ 831 images organized into
¤   20 themes, referring to
¤ 616 artists and
¤   99 curators


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Exhibitions

Currently

Ian Willms, Sister and I at the hospital 2014Ian Willms: We Shall See
2 Sep 2017 – 5 Nov 2017
Ian Willms father died after months of hospitalization and medical interventions due to a motorcycle accident. In {I}We Shall See{/I} Willms documents his fatherís traumatic injuries and the details of daily hospital visits.

George Steeves, Self-Portrait with Mirror 2001Bodies in Translation: Age and Creativity
9 Sep 2017 – 12 Nov 2017
MSVU Art Gallery is collaborating with the SSHRC-funded project entitled Bodies in Translation: Activist Art, Technology, and Access to Life and the Nova Scotia Centre on Aging at MSVU

Forthcoming

AlcuinThe Alcuin Society Awards for Excellence in Book Design
15 Nov 2017 – 15 Dec 2017
In 2016, The Alcuin Society held its 34th annual competition, The Alcuin Society Awards for Excellence in Book Design in Canada. The awards recognize exceptional merit in Canadian graphic design. The 43 winning books were selected out of 230 submitted, representing the work of designers from nine provinces and 98 publishers.


Mount Community Show Opening Reception 2015Annual Mount Community Show 2017
15 Nov 2017 – 10 Dec 2017
Mount Saint Vincent University students, staff, faculty, alumnae and their families are invited to display their creative work in this annual extravaganza. Entries include visual art, music, performance, poetry, craft, literature, basketry, beading and more!


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6 results
How Do I Look?
11 Feb 2017 – 9 Apr 2017
This selection of artistsí self-portraits from the Mount Saint Vincent University Collection addresses both the experience of being looked at by others, and that of returning the gaze. As a corollary to their engagement with practices of looking and appearing, these self-portraits also tackle the frameworks of race, gender and sexuality.
James R. Shirley: Cape Breton Apocalypse
Rosalie Favell: Living Evidence
19 Nov 2011 – 19 Feb 2012
Living Evidence is Rosalie Favellís first serial photographic self-portrait; it follows her earlier attempts to reclaim a First Nations identity by photographing aboriginal women. Truthful and brave, Living Evidence exhibits the appealing vulnerability that continues to characterize this artistís photo-based work.
Rosalie Favell, Living Evidence_PH
too small too big
29 May 2004 – 27 Jun 2004
This exhibition is composed of works on paper by Canadian artists who make strategic use of textured media such as makeup, paper collage, electrical tape, and human hair.
MSVU Art Gallery Entrance
Portraits: Unsettled Subjects
24 Jun 2001 – 22 Jul 2001
Realized in painting, photography, sculpture, print media and video, these mostly contemporary works, drawn from the MSVU collection and loans from various Canadian sources, deploy individual likenesses in the service of social critique.
Margaret Clarke: Mary and Brigid
In Absentia
7 Mar 1998 – 17 May 1998
Composed of loans and works from the MSVU collection, this exhibition surveyed feminist approaches to autobiographical narrative.
Andrea Ward: Hairstories
Living Evidence
15 Oct 1994 – 4 Dec 1994
Rosalie Favell's project, which consists of a suite of inscribed and altered Polaroid enlargements, revises the family snapshot genre to accommodate a fractured tale of troubled love between herself and another indigenous woman.
Rosalie Favell, Living Evidence


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