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Exhibitions


In this section, you will find
¤ 252 descriptions and
¤ 847 images organized into
¤   20 themes, referring to
¤ 620 artists and
¤   105 curators


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Exhibitions

Currently

Eternal August"it just brings me closer": Reflections on Memorial Tattoos
5 May 2018 – 29 Oct 2018
This exhibition of photographs is part of a larger study on the meaning and purpose of commemorative tattoos. The photographs represent the initial part of research conducted by the psychology professors Jennifer Buckle and Sonya Corbin Dwyer. The study involved twenty-two volunteer participants from Newfoundland.

Frances Dorsey, Shot Through the HeartMaterial Remains
26 May 2018 – 26 Aug 2018
Drawn from the MSVU Collection, these works of art incorporate household textiles such as bedding, a tea towel, table linens and discarded clothing. The domestic references are embedded in works whose imagery also engages with gender politics and world events.

Jane Kidd, Curiosities Series: Pairing #4 2016Jane Kidd: Curious
23 Jun 2018 – 26 Aug 2018
Kidd is one of Canada’s preeminent artists working in textile. She lives in Salt Spring Island. The exhibition encompasses the tapestry series Curiosities, Wonderland, Land Sentence and Possession. In nightmarish visions of genetic modification, Curiosities depicts parts of various organisms spliced together to form alluring chimeras.

Forthcoming

Allyson Mitchell, Brain Child 2008 (detail)Unpacking the Living Room
8 Sep 2018 – 10 Nov 2018
Living rooms are spaces we arrange and create around ourselves to support the comfort and wellbeing of family, to host friends and loved ones, to display precious and prized belongings, and for leisure and relaxation. But living rooms are private spaces packed with emotions and history, as well as social and political investments. The kind of living room we create can reveal our background, our values, our social position, and our aspirations. Even the privilege of having a living room speaks volumes when so many people live in precarious situations, are without shelter, or have been displaced from their homes and traditional lands.


Christiane Poulin, Winds of Change: A Lace-scape 2016Prospect 18: Christiane Poulin. Echoes
13 Oct 2018 – 16 Dec 2018
Exhibitions in the Prospect series introduce artists in the early phases of their careers. A retired physician, Poulin recently graduated from NSCAD with a BFA in Textiles and the 2017 Starfish Student Art Award. She lives in Halifax. The woven structures of her site-oriented installation allude to Brutalist design integrated into a landscape.


Mount Community Show Opening Reception 2017Annual Mount Community Show 2018
14 Nov 2018 – 9 Dec 2018
Mount Saint Vincent University students, staff, faculty, alumnae and their families are invited to display their creative work in this annual extravaganza.


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Double Take
21 May 2016 – 19 Aug 2016
A routine glance at a work of art sometimes leads to a double take—a delayed reaction to a surprising detail after the initial failure to notice anything unusual. Selected from the permanent collection, the works in Double Take either are ‘assisted readymades’ (modified found objects) or, as ‘replicas,’ they resemble assisted readymades. The second or third glance generally prompts second thoughts.
Marc Courtemanche, Axe 2008
Traffic: Conceptual Art in Canada 1965-1980
19 Mar 2011 – 8 May 2011
Organized around urban and regional centres of art production, this exhibition captures the exuberant ‘traffic‘ between them during the inaugural phase of conceptual art, one of the most transformative art movements of the late 20th century.
Gerald Ferguson, 1,000,000 Pennies
Connect the Dots
29 Nov 2006 – 10 Dec 2006
Connect the Dots brings together Mark’s mixed-media art with that of two other artists—Gerald Ferguson and Shaun Gough—whose careers intersect with hers
Kelly Mark, War Pigs
Work Work Work
27 Mar 2004 – 23 May 2004
Taken from the university collection, these works, which use materials such as plywood, acoustic tile, a tea towel and pantry equipment, invite comparison with hobby craft, housework, and puttering.
work work work installation
1,000,000 Grapes
24 Oct 1998 – 22 Nov 1998
Ferguson's work is composed of 100 square, stretched canvases stencilled in black with an irregular, dot-like motif (or 10,000 "grapes"), installed in a closely spaced grid.
Gerald Ferguson: 1,000,000 Grapes


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